Zurich - Where Bankers Take a Midday Dip

A travek blogger explains the city.

“In Zurich, you sometimes need only go one street further to discover the value of this city.” That’s a quote from a friend, which perfectly sums up this city. In Zurich, you can wander down the main Bahnhofstrasse and walk straight past Augustinergasse, one of the city’s most delightful alleyways with lots of decorated oriels – but then you would be missing out on precisely the Zurich that so few people discover.

One of Zurich’s most iconic buildings is Augustinerkirche church, which is also one of the city’s most popular photo subjects.
I think Zurich is the perfect summer city – it certainly has its appeal in the autumn and winter too, but I simply love the summer in Zurich. You can relax for a while in the delightful Chinese Garden before hiring a pedalo, splashing about in the pool on the lake or seeing out the day on one of the lake’s many ships. People wishing to see Zurich from above can take one of the MINIs on offer to all the 25hours guests and take a trip to the top of Zurich’s local mountain, the Zürichberg.

A culinary delight not to be missed is Zürich  Geschnetzeltes and, in the summer, a stop at the Rimini open-air bar is highly recommended. Guests who still haven’t quite discovered Zurich’s Gemütlichkeit can burn off some excess energy in Switzerland’s oldest club, Mascotte, before hitting the hay back at the hotel. They can then tuck in to the breakfast buffet the next morning to replenish their strength for another day.

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If not Now, then When?

The members of electro punk band Egotronic have been engaging in musical hedonism for 19 years – a kind of hedonism which can increasingly be viewed as a political outcry. Their latest album Ihr seid doch auch nicht besser (You’re No Better Either) represents the zenith of this development. It’s about the erosion of the political center and the necessity of forging new alliances.

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Hamburg’s Got Groove

Hamburg’s iconic Elbphilharmonie is just as famous for its insane acoustics as it is for its programme, which weaves traditional classical music together with rock bands, festivals, and jazz — like the Scandinavian piano band Rymden, for example. On the occasion of their concert, we met the jazz trio in the so-called ‘Elphi’, where we delved into the history of the concert hall and considered, among other questions, whether jazz is the classical music of the 21st century.

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The Jack of All Trades

Dieter Meier is someone who, without exaggeration, can be described as a music legend. With the band Yello, the Swiss native became world famous in the 80s together with his colleague Boris Blank. Heard their hits like ‘Oh Yeah’ and ‘The Race’? Experimental and electronic, and a little gaga, the tunes get under your skin thanks to Dieter’s deep voice. Yello still perform today. But music is by no means Dieter’s only mode of expression: Dieter, probably the best dressed rebel of Zurich, who even earned his living as a professional gambler for a while, started working as a performance and conceptual artist in the late 60s. In 1972, he took part in Documenta 5 in Kassel, for which he installed a metal plaque at the main station with the inscription, ‘Dieter Meier will stand on this plaque on 23 March 1994 from 3pm to 4pm’ — a promise he later kept. As a creative entrepreneur and investor, Dieter has his fingers everywhere in the game. His greatest passions, however, are the worlds of culinary delights and nature, and, following from that, his farm in Argentina, where he cultivates wine, breeds cattle, and spends a lot of time. He serves up products from his second home in his restaurants — of course this jack-of-all-trades is also a restaurateur. And he has also just set up a chocolate factory. Somewhere between his many projects, Dieter took a moment to answer some questions for COMPANION.

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Creating a Cult Label

It all started off with a modest music label and a few pairs of jeans. Since Maison Kitsuné’s origins in 2002, the purveyor of cool has spiralled out into a cult fashion brand and music label with coffee shops in Paris and Tokyo. How did it all come to be? Co-founder Gildas Loaëc shared with COMPANION how he seeks out the eclectic and the classic to stay fresh in these fast-moving industries.

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Generating a Genre

Natascha Augustin, senior creative director at Warner Chappell Music, is the cool-headed industry leader who’s responsible for propelling Germany’s hottest hip-hop and rap acts to the peak of international acclaim — though her humility prevents her from taking any of the credit. Having pioneered ‘Deutschrap’ (German rap) right from the beginning, her knack for navigating the ever-shifting tides of taste in popular music has stood not only Warner Chappell but also the entire industry in ever-stronger stead. Natascha took a moment out of her nonstop schedule to share with COMPANION how she discovers new talent, what she likes about the new wave of female German rappers, and her outlook for the future of the genre.

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Ballads of a Bad Boy

It’s hard to believe that Julian Pollina — better known as Faber — is just 26 years old. Given the grit of the Swiss singer-songwriter’s voice and lyrics, you’d be forgiven for assuming he’d seen at least two decades more. Sung in German, his 2017 debut album, ‘Sei ein Faber im Wind’ (Be a Faber in the Wind) leaves no subject unscathed in its wake. Its tracks set salacious wordplay to soaring melodies, recalling the husky snarls of Jacques Brel or the warbles of Balkan folk music — it is a new brand of melancholic dance music that’s captured the world-weary hearts of Faber’s generation. Ahead of his second album’s release, in late 2019, Faber emerged from the recording studio to speak with COMPANION about the blurred lines between fact and fiction, being bored in Zurich, and why he wouldn’t get along with Kanye.


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