For Grandbrother, Lukas Vogel and Erol Sarp, the sound spectrum of the grand piano is not limited to its chords.
People in hotels are a peculiar species — and have inspired artists to soaring flights of creativity, as our columnist Rainer Moritz recounts
Talented women all over the world are joining forces in increasing numbers to combat the patriarchy through the synergy of their networks. One of these young communities is Clam Club.
Hans-Joachim Flebbe has created a business out of his love for film. COMPANION sat down with the visionary entrepreneur to talk premium movie theaters, smelly nachos, and receiving praise from Hollywood.
Dieter Meier is someone who, without exaggeration, can be described as a music legend. With the band Yello, the Swiss native became world famous in the 80s together with his colleague Boris Blank. Heard their hits like ‘Oh Yeah’ and ‘The Race’? Experimental and electronic, and a little gaga, the tunes get under your skin thanks to Dieter’s deep voice. Yello still perform today. But music is by no means Dieter’s only mode of expression: Dieter, probably the best dressed rebel of Zurich, who even earned his living as a professional gambler for a while, started working as a performance and conceptual artist in the late 60s. In 1972, he took part in Documenta 5 in Kassel, for which he installed a metal plaque at the main station with the inscription, ‘Dieter Meier will stand on this plaque on 23 March 1994 from 3pm to 4pm’ — a promise he later kept. As a creative entrepreneur and investor, Dieter has his fingers everywhere in the game. His greatest passions, however, are the worlds of culinary delights and nature, and, following from that, his farm in Argentina, where he cultivates wine, breeds cattle, and spends a lot of time. He serves up products from his second home in his restaurants — of course this jack-of-all-trades is also a restaurateur. And he has also just set up a chocolate factory. Somewhere between his many projects, Dieter took a moment to answer some questions for COMPANION.
A good week after completing his residency in the studio at the 25hours Hotel Langstrasse, Oliver Ross explains the extent to which a change of scenery affects his creative process and influences his artworks, whether his daily routine changes with the location, and whether art and hotels can function well together.
An overnight stay at the Frankfurt Book Fair? An intriguing idea — though one that’s been impossible up until now.
It’s hard to believe that Julian Pollina — better known as Faber — is just 26 years old. Given the grit of the Swiss singer-songwriter’s voice and lyrics, you’d be forgiven for assuming he’d seen at least two decades more. Sung in German, his 2017 debut album, ‘Sei ein Faber im Wind’ (Be a Faber in the Wind) leaves no subject unscathed in its wake. Its tracks set salacious wordplay to soaring melodies, recalling the husky snarls of Jacques Brel or the warbles of Balkan folk music — it is a new brand of melancholic dance music that’s captured the world-weary hearts of Faber’s generation. Ahead of his second album’s release, in late 2019, Faber emerged from the recording studio to speak with COMPANION about the blurred lines between fact and fiction, being bored in Zurich, and why he wouldn’t get along with Kanye.
Wayne McGregor is one of the most prominent contemporary choreographers of today. He will make his Munich debut in 2018 at Bayerisches Staatsballett’s annual Ballet Festival Week.
Hamburg’s iconic Elbphilharmonie is just as famous for its insane acoustics as it is for its programme, which weaves traditional classical music together with rock bands, festivals, and jazz — like the Scandinavian piano band Rymden, for example. On the occasion of their concert, we met the jazz trio in the so-called ‘Elphi’, where we delved into the history of the concert hall and considered, among other questions, whether jazz is the classical music of the 21st century.
Tim Renner is a legend in the music and culture business. As a manager at Universal, he discovered bands such as Rammstein, and from 2014 to 2016, he was Berlin’s state secretary for cultural affairs, initiating a digitalisation offensive. Aside from having worked as a music journalist and radio host, and founding his own media startup, Motor Entertainment, he also lectures at the Popakademie Baden-Württemberg and writes books on the industry. In short, it’s hard to think of anyone with a better grasp on the present and future of pop culture. A conversation about youthful anarchism, the vastness of the unregulated internet, and what’s next for the music industry.